Dirt Dreams: batch production in slip-cast ceramics

with Judith Glover

Ah…the humble porcelain bowl or cup…or is it? Could you make one? Could you make a thousand? Could you make any money? What else could you design and make if you understood the process—the possibilities of form, ornamentation and decoration not available in any other processes?

This studio will explore the rigours of slip-cast production. Students

Acknowledging the Anthropocene

Tutor: Björn Rust

Timetable: Tuesday 2:30pm  – 5:30pm

Location: 051.07.004

This tutorial proposes that in this epoch of human design, we must forge our built environments in response to vernacular peculiarities such that they fulfil local needs while also enriching the entire system beyond our immediate concerns.

The profound influence of humans on the environment and its climate systems

How to Make It…

with Ed Linacre and Victor Legin

This studio is lead by the founders of Copper Industrial Design, who specialise in developing products for local manufacture and international promotion. Lighting offers a deceptively simple yet sophisticated product to learn a series of production and commercial skills through.

The Studio will focus on developing your Design process in the

Design for the Other 90%

Semester 1, 2013

With Judith Glover

Key words: Sustainable Design, Sustainable Development, Product Design innovation, User-Centred Design, prototyping

Activist designer Paul Pollack (2007) states in Design for the Other 90% that:
“Ninety-five percent of the world’s designers focus all of their efforts on developing products and services exclusively for the richest ten percent of the world’s customers.”
This studio looks

Dr Judith Glover

Wednesday 2pm- 5pm in B45

Dr Judith Glover is a lecturer in Industrial Design specialising in teaching social and sustainable design with a particular expertise in gender and sexuality, the craft/ design nexus, and design for batch production. With a background in the metal trades and industrial design, her particular focus of practice currently is with

Haptic-ware

Gyungju Chyon

We experience our world through diverse stimuli perceived by our brain. As we grow from infant to child to adult, these stimuli develop into awareness, meanings and values. Sensorial experiences with artifacts, food, and the world around us structure and deepen our living experiences. A move to a more ecological future requires a deeper

The Body In Design

Frank Feltham

& Scott Mitchell for 3 workshops (12hrs)

The body remains to some degree an elusive entity in our understandings of human cognition and our evolving relations with technology. With the advent of mobile and wearable sensor technologies, the body is brought to the fore as the essential and defining site of interaction and experience. Devices

Radically SCHLICHT!

Dr Malte Wagenfeld, RMIT & Prof Wolfgang Laubesheimer, KISD, Cologne Germany

This is a ‘Global Intensive’ exchange studio between RMIT and KISD, Cologne Germany.This studio has received a $20,000 Endeavour grant to help RMIT students cover travel costs. The studio will include two intensive mode sessions, in April KISD students will visit RMIT and in mid-June

SynAesthesia Design Lab

With Malte Wagenfeld

In Greek synaesthesia translates into ‘union of the senses; syn- (union) and aesthesis (sensation).  In contemporary usage synaesthesia refers to a rare neurological condition in which two or more streams of sensory data interlink or cross resulting in synaestheses; having the sensation of hearing colour, seeing sound, smelling pictures and so on.It can

Altruism & design (industry of one) 2012

Tim Collins

with Justin Hutchinson

Philanthropy is often left to the wealthy, charity groups, companies and organisations. This doesn’t need to be the case. Designers with good ideas can be just as philanthropic, all it takes is time, energy and positivity. This studio will be looking at areas in your neighbourhood where we can provide altruistic design