IOT Skins: Scenarios for Micro-Nano computing for health through the body

Lecturers: Emma Luke and Michael Bentham

Studio Timetable: Tuesday 1:30 pm – 4:30 pm & Thursday 9:30 am – 12:30 pm

Research Partners, RMIT’s Micro/Nanomedical Research Facility and the Murdoch Children’s Research Institute

In 1999 Neil Gross, in an article for Business Week, brought an idea that had been sitting with technologists and futurists for many years into the wider

Ceri Hann

Ceri Hann is a sessional tutor in the Industrial Design program at RMIT. He also has an ongoing engagement with the School of Art in the Art in Public Space Post-Graduate program. He is currently a PhD candidate in the School of Architecture and Design. The primary focus of his research is the development of

Michael Gray

Michael Gray is passionate about vehicle and product design.

Michael has had experience as a Creative Design Intern at GM Holden Design, where he worked within the Interior Design Team on advanced design concepts for GM China products.

Michael held a role in design engineering and technical specification with Bolwell where he prepared CAD data for moulding production processes, collaborated with

Power and People

in collaboration with

Neal Haslem & SLOW Lab students, RMIT Media and Communications;

Ceri Hann RMIT Postgraduate participatory art researcher;

THE VILLAGE Festival   www.thevillagefestival.com.au

Wednesdays, 1.30 PM to 5.30 PM

Room: 88.5.20/20A

This studio course is a creative investigation of the relationship between power and people.

POWER as energy, capability, force.

PEOPLE as individuals, collectives, societies.

The studio will explore playful social participation in

Design Drawing

With Charles Lin

This elective is all about developing and maintaining your drawing skills. It’s very important as designers, that we have the ability to think visually. That means using our drawing skills to develop our ideas, as a tool to help us flesh out concepts and thoughts. Whether you intend to pursue a career in

Exhibition design and curatorship: Contemporary cultures of display

By Deanne Koelmeyer
The studio will explore the contemporary practices of display and exhibition.  The studio will expose students to the process of curatorial theme development; object and artifact selection, interpretation, exhibition design and audience participation and interaction.
Students will engage with current critical debate on topical ideas/issues including:
-the idea of audience-centered institutions,
– the idea that visitors

Juan Sanin

I’m a lecturer in Industrial Design at RMIT University. My research looks at the broad field of Design Anthropology. I’m particularly interested in the material culture of everyday life, the articulation of ethnographic fieldwork and design practice, and the use of co-design methods to involve users in the design process. More recently, I’ve come interested in

Concept Boat Design

NOTE: SPRING SCHOOL | November – December 2015

with Simon Curlis

This studio in concept boat design combines the ideas that sailing boats have been a most effective forms of sustainable mobility and that the role of a concept vehicle is to demonstrate a potential future, to gauge the public’s reaction and provide creative direction for a company

RE | Design Studio

with Simon Curlis & Soumtiri Varadarajan

The RE|Design Studio addresses the concerns of a motorcycle company with a proud history & brand identity that is facing increasing pressure in the global market place.In the footsteps of other heritage such as Harley Davidson (USA) or Triumph (UK), we are tasked with visualising the evolution of the brand

Social Repair Tool Kit – Designing for Community Wellbeing

Lecturers: Matthew Butler and Dr, Kevin Murray

Australia ranks as one of the worlds wealthiest countries but is placed at only #76 on the happy planet index in between Iran and Romania. Costa Rica is #1 and Vietnam is #2. The reasons for Australia’s relative social unhappiness is complex. This includes fear driven by political leaders