Justin Hutchinson

Justin has been an active participant in the Melbourne design industry for the last decade. His ongoing involvement has brought together a number of experimental collaborations around the themes of ‘place making’ and ‘sustainability’.

Justin has lectured extensively in product-design engineering and furniture design at Swinburne University and continues to run a mentoring program from his

CONTAINMENT: Metal Craft studio

Studio Leader: Susan Cohn

Studio timetable: Tuesday 1.30 and Thursday 1.30pm

Industry Partner: Susan Cohn and Workshop 3000

Susan Cohn is an artist jeweller, designer and curator. She is creative director of Workshop 3000, an access metal working workshop based in Melbourne since 1980. Her broad experience of design and making has enabled her to combine traditional craft

Heico Wesselius

Heico Wesselius (M.Phil in Economics) received his Bachelor’s degree in Applied Economics from the Amsterdam Business School, The Netherlands.  He worked for several leading management consulting practices in The United States, Europe and Asia.

Since 2005, he has collaborated with various strategic design consultancies and agencies in New York City, Amsterdam, London, Hong Kong and Tokyo. 

Dowel Jones: Design for Self-employment

Adam Lynch & Dale Hardiman

 

We began exhibiting and selling work in our 2nd year of university, we saw the importance of both developing projects for University but also how being active in the design industry within Melbourne was fundamental. By the time we reached 3rd year uni we were close to living entirely off sales

V.2018

Wednesdays, 9.00AM to 1.00 PM

Room: 88.5.6/6A

Did you ever want to know what its like to work as a designer … for real? This studio puts all your skills to the test. See if you’ve got what it takes to make the grade.

JonesChijoff, an industrial design consultancy, are running V.2018 to give students the opportunity to

MYOM (Make your own machine)

Ben Landau + Lucile Sciallano

The widespread adoption of rapid prototyping and 3d printing has completely connected 3d digital design to manufacturing. Meanwhile, in a backlash against mass-produced objects, the aesthetic of handmade objects have become increasingly desirable. As designers, we need to conceive not only new objects, but also new ways of making them.
In this

Hapticware

 

 

With Gyungju Chyon

We experience our world through diverse stimuli perceived by our brain. As we grow from infant to child to adult, these stimuli develop into awareness, meanings and values. Sensorial experiences with artifacts, food, and the world around us structure and deepen our living experiences. A move to a more ecological future requires a deeper connection to the world

Jessica Bird

Jessica Bird is a designer and researcher motivated by working collaboratively to affect change. Since graduating with honours from Industrial Design, Jess has taught at RMIT and worked as a Project Facilitator at the Victorian Eco-Innovation Lab (VEIL) at University of Melbourne. She is currently the Co-design Lead at VicRoads and is focused on facilitating

The Body Ornament

Wednesdays, 5.30 PM to 9.30 PM
Room: 88.5.20/20A
At the surface, the body ornament concerns itself with notions of beautification, self-image & expression, emotional symbolism, social, religious & ethnic identification, familial connectedness etc. The practice of body adornment is deep rooted in human history; a practice which continues to progress & regress in the many evolving, tangible forms

Dirt Dreams: batch production in slip-cast ceramics

with Judith Glover

Ah…the humble porcelain bowl or cup…or is it? Could you make one? Could you make a thousand? Could you make any money? What else could you design and make if you understood the process—the possibilities of form, ornamentation and decoration not available in any other processes?

This studio will explore the rigours of slip-cast production. Students