This course provides a technical exposure to methods of developing, programming and testing Electronic and Interactive prototypes. This form of prototyping is increasingly useful in understanding how environmental and user data might effect the functionality and affect of a complex product. The rapid shift toward that ubiquitous computing systems and data feeds means that many
Lecturer: Judith Glover
Ah…the humble porcelain bowl or cup…or is it? Could you make one? Could you make a thousand? Could you make any money? What else could you design and make if you understood the process—the possibilities of form, ornamentation and decoration not available in any other processes?
This studio will explore the rigours of slip-cast
http://biodesignchallenge.org/Lecturers: Dr. Leah Heiss and Emma Luke
Studio Partners: Biodesign Challenge 2019,
Fashion Design RMIT University and MDIT Masters of Design Innovation and Technology
Timetable:
Wednesday 9:30am – 12:30pm
Wednesday 1:30pm – 4:30 pm
Brunswick Campus Building: 516-02-001
The 2019 Biodesign Challenge offers students the opportunity to explore how cells, microbes, and other living things can remake the products and processes of
Youssef Tayeb & Jim Lavranos
The Studio is an RMIT Industrial Design industry project in conjunction with Shell Works a prosthetic product innovation company formed by Youssef Tayeb (Industrial Designer) and Jim Lavranos (Prosthetist/Orthotist)
The project’s primary focus is the design and development of a fixation system and a detachable and modifiable ‘shell’ or casing for prosthetic
NOTE: SPRING SCHOOL | November – December 2015
with Simon Curlis
This studio in concept boat design combines the ideas that sailing boats have been a most effective forms of sustainable mobility and that the role of a concept vehicle is to demonstrate a potential future, to gauge the public’s reaction and provide creative direction for a company
Kate Archdeacon is an industrial designer who focuses on systems and service design, community development and urban resilience. Having recently submitted her MPhil thesis, “Urban agriculture design for resilient cities”, Kate is now obsessed with the role that the culture of food–growing, preparing and consuming–plays in building urban social and ecological resilience.
I’m a lecturer in Industrial Design at RMIT University. My research looks at the broad field of Design Anthropology. I’m particularly interested in the material culture of everyday life, the articulation of ethnographic fieldwork and design practice, and the use of co-design methods to involve users in the design process. More recently, I’ve come interested in
Monday 11:30 – 2:30 | 45.01.05DTuesday 3:30 – 6:30 | 51.02.015
Lecturers: : Emma Luke and Jay Curtis
This studio explores the body as a site of interaction and expression. Located at the meeting of emergent digital technologies and contemporary jewellery design practice, the studio asks students to imagine, design, develop and prototype new wearable objects for
This course gives you an introduction to specialist visualisation techniques and adaptation of existing ones to communicate the design of complex services and systems. You will deploy a user-centred approach to visualisation as a core capability for industrial design to ensure that a system or service under design is targeted to specific audiences and strategically
With Malte Wagenfeld
In Greek synaesthesia translates into ‘union of the senses; syn- (union) and aesthesis (sensation). In contemporary usage synaesthesia refers to a rare neurological condition in which two or more streams of sensory data interlink or cross resulting in synaestheses; having the sensation of hearing colour, seeing sound, smelling pictures and so on.It can
