I’m an Industrial and fashion designer, lecturer and creative problem solver with a passion for designing sustainable and socially meaningful futures. I specialise in creative methodologies design research whilst focusing on consumer behaviour and its correlation with the philosophical, environmental and cultural aspects of contemporary society. I’m a PhD candidate at Monash University where I’m
This course provides a technical exposure to methods of developing, programming and testing Electronic and Interactive prototypes. This form of prototyping is increasingly useful in understanding how environmental and user data might effect the functionality and affect of a complex product. The rapid shift toward that ubiquitous computing systems and data feeds means that many
Gyungju Chyon
We experience our world through diverse stimuli perceived by our brain. As we grow from infant to child to adult, these stimuli develop into awareness, meanings and values. Sensorial experiences with artifacts, food, and the world around us structure and deepen our living experiences. A move to a more ecological future requires a deeper
Semester 1, 2013
With Youssef Tayeb
We are on the precipice of a personal manufacturing (r)evolution . The barriers to product manufacturing are falling fast and access to affordable, high precision machining need not be further than your work bench or your keyboard.
Records are now cut in bedrooms, their music videos shot in the basement. Software is
Studio Tutor: Dr Scott Mayson
Studio Timetable: Monday 9:30-12:390 & Thursday 5:30-8:30 Wacom Lab
Studio Partners: TBC
This studio explores the expanding field of smartphone filmmaking through the design and development of filmmaking tools like cases, booms, stabilisers, rolling platforms, sliders and other tools for this category.
The approach is to develop your digital practice from users to
Lecturers: Dr Malte Wagenfeld & Simone Steel
The SynAestheia designlab investigates the design of objects, systems, environments, experiences and spaces which present the user with a multitude of sensory data; tactile, olfactory, auditory, kinaesthetic and so on, as well as temporal dimensions; to create what may be called a hyper-sensorial design paradigm.
Theme 1: Healthcare – Consider
With Malte Wagenfeld
In Greek synaesthesia translates into ‘union of the senses; syn- (union) and aesthesis (sensation). In contemporary usage synaesthesia refers to a rare neurological condition in which two or more streams of sensory data interlink or cross resulting in synaestheses; having the sensation of hearing colour, seeing sound, smelling pictures and so on.It can
Studio Tutors: Dr Malte Wagenfeld & Prof Wolfgang Laubesheimer
Studio Timetable: Monday 6:30 pm – 9:30pm & Thursday 12:30 pm – 3:30 pm
NOTE: This studio includes intensive periods of work and travel abroad.
This is a ‘Global Intensive’ exchange studio between RMIT University and KISD, Cologne Germany. The studio will include two intensive mode sessions, in early October RMIT
Din Heagney is a writer, editor, researcher, and specialist in art and design communication.
He has worked on design projects for companies including MAB, Becton, Build Architecture, Royal Women’s Hospital, Royal Botanic Gardens Melbourne, Sensis, Seven Network, Australian War Memorial, and Evian. Along with managing recent
catalogues for the Biennale of Sydney, and the Venice Biennale Australian
Design Manager – Catalyst Design Group Pty Ltd
During her BA in Industrial design, Joelene undertook an internship at Panasonic Japan in 2002. Graduating in 2003, Joelene worked at Vehicle Design Australia before joining Catalyst in 2004. Since then, she has contributed to design projects with brands including Knog, Cannondale, Matrasport, Mobilarm, and P.P.C.
Joelene contributes in
