Dowel Jones is an Australian design brand producing furniture, lighting and accessories, as well as working on various installations and site-specific works. The studio was established in 2013 by Dale Hardiman and Adam Lynch.
Dowel Jones is interested in simplifying objects to their bare essentials without compromising on aesthetic values while also minimising materials and processes, working with
With Sophie Gaur
Human beings react to sound in various ways. Sounds can excite, soothe, heal or energise, as well as offer a range of emotional, intellectual and physical responses, based on how they are delivered. This studio explores this area of this sensory delivery through the design and construction of objects that either respond to existing musical traditions
Studio Tutors: Dr Judith Glover, Tate Anson & Jaclyn Pokrovsky
Studio Partners: GT2P (Chile), The National Gallery of Victoria and Melbourne Design Festival
This studio presents a unique opportunity for CCC students this semester. We will be working with international design collective GT2P from Chile to be exhibiting an installation in the foyer of the NGV International
Studio Leaders: Dr Malte Wagenfeld, Eugene Ughetti & guest specialists
Industry Partner: Speak Percussion
Studio Timetable: Monday 5:30 pm – 8:30 pm & Thursday 9:30 am – 12:30 pm
BLAST TONE is a collaboration with the highly innovative and internationally renowned percussion group ‘Speak Percussion’ and sound artist Philip Samartzis (Bogong Centre for Sound Culture).
In this studio, you will
with Judith Glover
Ah…the humble porcelain bowl or cup…or is it? Could you make one? Could you make a thousand? Could you make any money? What else could you design and make if you understood the process—the possibilities of form, ornamentation and decoration not available in any other processes?
This studio will explore the rigours of slip-cast production. Students
Marc Pascal has been working in the field of designer maker for almost 20 years. He studied Fine Art, painting and printing at VCA and then Industrial Design at RMIT. He is very interested in the “hands on” approach to design, and as such makes most of the production work in his studio where all
with Dr Scott Mayson
This studio evolves emerging practices in design where consumers are customising an artefact with a personalised sense of creation. Traditionally, a products form is finalised, pre-manufacture, with little room for evolution. What if advanced design and manufacturing tools afforded the designer the ability to allow consumers to manipulate their designs within a
Gyungju Chyon
Our sensorial experiences with artifacts, food, and the world around us structure and deepen our living experiences. Our senses enable us to experience the world intimately, personally, and singularly.
Focusing on Tea culture from two different places (Japan and UK), students will design ‘experience’ for/around tea engaging the range of tactile, olfactory, gustatory, and auditory senses.
Lecturers: Dr Malte Wagenfeld & Simone Steel
The SynAestheia designlab investigates the design of objects, systems, environments, experiences and spaces which present the user with a multitude of sensory data; tactile, olfactory, auditory, kinaesthetic and so on, as well as temporal dimensions; to create what may be called a hyper-sensorial design paradigm.
Theme 1: Healthcare – Consider
Shawn is a trained industrial designer and postgraduate student with extensive professional and academic experience in user-centered design and qualitative research methods in human-technology interaction.
He has a long history of cooking and exploring new food experiences, including moonlighting as a part-time food writer for Broadsheet and The Age. In 2011, he spent a three-month sabbatical in
