Gyungju Chyon is one the founders of interdisciplinary studio little wonder. Her interest in practice, research, and teaching lies in how well-being and energy concerns, in tandem with explorations of natural phenomena, new materials and manufacturing processes, can lead to new relationships between artifacts, environments and humans.
She oscillates between installation art, product design and craft, engaging
Tim Denshire-Key is an independent designer based in Melbourne. His practice currently spans a number of areas from bespoke furniture to exhibition design. He works across a range of projects that have social/ sustainability outcomes at their core.
Malte Wagenfeld is Senior lecturer in Industrial Design at RMIT; he is a design practitioner, academic, artist, curator and researcher. As an industrial design practitioner, Malte has extensive experience in the design of furniture, appliances, objects and interiors with a specialisation in low volume manufacturing and prototyping. The designs resulting from this have been internationally
Speculative Design is about propositional design concepts that embrace change and radical innovations or revision rather than iterative re-design. Speculative design embraces the ideas of Critical Design, Discursive Design and Product/Service/Systems Design to achieve our studio practice and project resolution.
“Let’s call it critical design, that questions the cultural, social and ethical implications of emerging technologies.
Lecturer: Judith Glover
Ah…the humble porcelain bowl or cup…or is it? Could you make one? Could you make a thousand? Could you make any money? What else could you design and make if you understood the process—the possibilities of form, ornamentation and decoration not available in any other processes?
This studio will explore the rigours of slip-cast
Aditi Singh, Architect & Industrial Designer, holds a Masters Degree in Design from SPA, New Delhi, where she is presently Assistant Professor of Industrial Design. She has worked in a variety of domains ranging from Architecture, Product & Lighting Design, UX and Communication guided by interdisciplinary design and sustainable systems as proponents to better human
I’m a lecturer in Industrial Design at RMIT University. My research looks at the broad field of Design Anthropology. I’m particularly interested in the material culture of everyday life, the articulation of ethnographic fieldwork and design practice, and the use of co-design methods to involve users in the design process. More recently, I’ve come interested in
Marc Pascal has been working in the field of designer maker for almost 20 years. He studied Fine Art, painting and printing at VCA and then Industrial Design at RMIT. He is very interested in the “hands on” approach to design, and as such makes most of the production work in his studio where all
Malcolm formally trained in 3 Dimensional design specialising in furniture design. His Masters culminated in a project investigating fixing systems that required no glue or metal fasteners. The idea of how something goes together and influences form remains one of his many fascinations.
Arriving in Australia Malcolm worked in the Interior design departments of Architectural practices
Wil is an alumni of RMIT’s Industrial Design program who graduated in 2010. Wil has worked across a wide range of projects and industries; from wayfinding consultancies to working with multinational cosmetics companies, via robotic bands, pop-up retail spaces and road trips to Mongolia with a 3D printer.
Wil’s primary interest is in the intersectional
