With Dr Judith Glover and Simone LeAmon
Stories are ubiquitous – they surface and appear everywhere; we hear them, read them and watch them unfold in art as we do in life. Through narrative stories transmit messages and inspire meaning; they are deployed as fiction, parables and myth. They also locate us in time and place;
Gyungju Chyon
Our sensorial experiences with artifacts, food, and the world around us structure and deepen our living experiences. Our senses enable us to experience the world intimately, personally, and singularly.
Focusing on Tea culture from two different places (Japan and UK), students will design ‘experience’ for/around tea engaging the range of tactile, olfactory, gustatory, and auditory senses.
Ronnie Lacham
The studio aims to expand the understandings and articulation of the industrial manufacturing design process. There main focus of this studio is to develop a better understanding in the process from the first sketch to production This studio is on a rigorous industrial manufacturing process in collaboration with manufacturing company – Planex. Planex is a
Wednesdays, 1.30 PM to 5.30 PM
Room: 88.5.6/6A
The focus of this studio is on the design and production of commercial furniture concepts, including lighting and accessories for environments such as hospitality, offices, airports, public spaces, streetscape and residential furniture. The term ‘commercial’ shall include quantities ranging from batch production to mass production.
One Part of the studio
Semester 2, 2011
With Kjell Grant
This studio will be directed by Prof. Kjell Grant.
organized around 3 ideas resolved into one final piece of furniture presented at the graduation assessment. Areas of choice are, concept (cutting edge design) and Commercial design – for offices, hospitality,airports And public areas.
About the Image: Oliver Field’s Hedge is a bench in the form of a squiggle in metal,
By Deanne Koelmeyer
The studio will explore the contemporary practices of display and exhibition. The studio will expose students to the process of curatorial theme development; object and artifact selection, interpretation, exhibition design and audience participation and interaction.
Students will engage with current critical debate on topical ideas/issues including:
-the idea of audience-centered institutions,
– the idea that visitors