Around-Sound

Semester 1, 2013

With Sophie Gaur

This Studio explores ideas of sound and music. Besides doing some in-depth research into the nature of musical styles and instruments you will explore the making of music-making objects. Beginning at first with simple acoustic objects we progress to a more complex ones based on personal interests and drivers.

In this studio

Machine Landscapes

Semester 1, 2013

With Saskia Schut and Dr. Scott Mitchell

Machine Landscapes: a meander through the future now of terra(or) forming, straddling the intersecting overlaps of land art (‘Spiral Jetty’ Robert Smithson, ‘Solar Sintering’ Markus Kayser), mining (open cut, tunnelling, leaching) planetary exploration (Mars Rover, DARPA-DIY Hack Space), robotic architecture (“Olzweg” R&Sie, “Walking City” Archigram, ‘geotextile’ Beesley)

Brewing Senses 2012

Gyungju Chyon

Our sensorial experiences with artifacts, food, and the world around us structure and deepen our living experiences. Our senses enable us to experience the world intimately, personally, and singularly.
Focusing on Tea culture from two different places (Japan and UK), students will design ‘experience’ for/around tea engaging the range of tactile, olfactory, gustatory, and auditory senses.

Furniture Design Studio

Wednesdays, 1.30 PM to 5.30 PM
Room: 88.5.6/6A
 
The focus of this studio is on the design and production of commercial furniture concepts, including lighting and accessories for environments such as hospitality, offices, airports, public spaces, streetscape and residential furniture. The term ‘commercial’ shall include quantities ranging from batch production to mass production.
One Part of the studio

The Body Ornament

Wednesdays, 5.30 PM to 9.30 PM
Room: 88.5.20/20A
At the surface, the body ornament concerns itself with notions of beautification, self-image & expression, emotional symbolism, social, religious & ethnic identification, familial connectedness etc. The practice of body adornment is deep rooted in human history; a practice which continues to progress & regress in the many evolving, tangible forms

Furniture Design

Semester 2, 2011

With Kjell Grant

 

This studio will be directed by Prof. Kjell Grant.

 

organized around 3 ideas resolved into one final piece of furniture presented at the graduation assessment. Areas of choice are, concept (cutting edge design) and Commercial design  –   for offices, hospitality,airports And public areas.

About the Image: Oliver Field’s Hedge is a bench in the form of a squiggle in metal,

Power and People 2011

in collaboration with

Neal Haslem & SLOW Lab students, RMIT Media and Communications;

Ceri Hann RMIT Postgraduate participatory art researcher;

THE VILLAGE Festival   www.thevillagefestival.com.au

Wednesdays, 1.30 PM to 5.30 PM

Room: 88.5.20/20A

This studio course is a creative investigation of the relationship between power and people.

POWER as energy, capability, force.

PEOPLE as individuals, collectives, societies.

The studio will explore playful social participation in

Exhibition design and curatorship: Contemporary cultures of display

By Deanne Koelmeyer
The studio will explore the contemporary practices of display and exhibition.  The studio will expose students to the process of curatorial theme development; object and artifact selection, interpretation, exhibition design and audience participation and interaction.
Students will engage with current critical debate on topical ideas/issues including:
-the idea of audience-centered institutions,
– the idea that visitors